Jane Freilicher

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Window
2011
oil on linen
32 x 32 inches
Window
2011
oil on linen
32 x 32 inches

Biography


JANE FREILICHER

Born: 1924 Brooklyn, New York

Education:

1948 Columbia University, New York, M.A.
1947 Brooklyn College, B.A.
1947 Hans Hofmann School of Fine Arts

Selected Solo Exhibitions:

2014 Jane Freilicher: Paintings, Valerie Carberry Gallery, Chicago, IL
Jane Freilicher: Painter Among Poets: The Poetry Foundation, Chicago, IL
2013 Jane Freilicher: Painter Among Poets: Tibor de Nagy Gallery, New York
2011 Recent Paintings and Prints, Tibor de Nagy Gallery, New York
2009 Changing Scenes, Tibor de Nagy Gallery, New York
2008 Recent Paintings, Tibor de Nagy Gallery, New York
2006 Near the Sea: Paintings 1958-1964, Tibor de Nagy Gallery, New York
2005 Paintings 1954-2004, Tibor de Nagy Gallery, New York
2004 Tibor de Nagy Gallery, New York, also 2002, 2000, 1998, and 1970
2002 Solo exhibition in conjunction with The Artist’s Eye: Jane Freilicher as Curator, National
Academy Museum, New York
1993 Reynolds Gallery, Richmond, VA
1992 Fischbach Gallery, New York, also 1995, 1990, 1988, 1985, 1983, 1980, 1979, 1977, and 1975
1990 Heath Gallery, Atlanta, GA
1989 Kornbluth Gallery, Fairlawn, NJ
1986-87 The Currier Gallery of Art, Manchester, NH, Retrospective, traveled to: The Parrish Art
Museum, Southampton, NY, Contemporary Arts Museum, Houston, TX, Marion
Koogler McNay Art Museum, San Antonio, TX
1983 Charlotte Crosby Kemper Gallery, Kansas City Art Institute, Kansas City, MO
1982 College of Mainland Art Gallery, Texas City, TX
1981 Lafayette College, Easton, PA
Kornbluth Gallery, Fairlawn, NJ
1980 Louise Himmelfarb Gallery, Watermill, NY
1979 Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT
1976 Wadsworth Atheneum, Hartford, CT
1974 Benson Gallery, Bridgehampton, New York
1972 Benson Gallery, Bridgehampton, New York
1971 John Bernard Myers Gallery, New York
1968 Cord Gallery, Southampton, New York
1952-67 Tibor de Nagy Gallery (12 Exhibitions), New York

Selected Group Exhibitions:

2014 City as Subject, Westbeth Gallery, NY
‘A Poem for Raoul and Agnes’ selected by Sherman Sam, Ancient & Modern, London
Starting Out: 9 Abstract Painters 1953-1971, Tibor de Nagy Gallery, NY
Garden Party, Nassau County Museum of Art, Roslyn Harbor, NY
2013 John Ashbery Collects: Poet Among Things” Loretta Howard Gallery, New York
Interior: Curated by Barry Rosen, Tibor de Nagy Gallery, New York
2012 Long Island in Bloom, Long Island Museum, Stony Brook, NY
2011 Tibor de Nagy Gallery Painters & Poets, Tibor de Nagy Gallery, New York
September 11, PS1, Long Island City, NY
2010 American Still Life: Treasures from the Parris Art Museum, Parrish Art Museum, Southampton, NY

Selected Group Exhibitions (continued):

2009 American Landscapes: Treasures from the Parrish Art Museum, Parrish Art Museum, Southampton, NY
184th Annual Exhibition of Contemporary American Art, National Academy Museum, New York
Summer Pictures: curated by Isaac Mizrahi, Julie Saul Gallery, New York.
Fra Unuhusi til Attunda straetis (From Unuhus to Eighth Street), Reykjavik Art Museum , Iceland.
2008 Implant, UBS Art Gallery, New York
Inspired by the Light: Landscapes by East End Masters, Guild Hall, East Hampton, NY
Light of Spring, Spanierman Gallery, LLC, East Hampton, NY.
2007 182nd Annual Exhibition of Contemporary American Art, National Academy Museum, New York
NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, New York
2006 Personal Assistance, DNA Gallery, Provincetown, MA
Artists of the Hamptons, Leila Taghinia – Milani Heller Gallery, New York
2005 Artists and Nature on Eastern Long Island: 1940s to the Present, Spanierman Gallery, East Hampton, NY
Scapes/Landsapes, Salander-O’Reilly Galleries, New York, NY
The Little Continent of Long Island: Landscapes from the Permanent Collection, The Long Island Museum of American Art, History and Carriages, Stony Brook, NY
Landscape, Cityscape, Marlborough Gallery, New York, NY
The Little Continent of Long Island, The Long Island Museum, NY
NYC, DFN GALLERY, New York, NY
2004 The Little Continent of Long Island, The Long Island Museum, NY
Paris Review Prints, Guild Hall, East Hampton, NY
Hamptons Gardens, Guild Hall, East Hampton, NY
Nineteen Academy of the Arts Honorees in the Visual Arts, Guild Hall, East Hampton, NY
North Fork, South Fork, East End Art Now, The Parrish Art Museum, Southampton, NY
2003 Zeuxis: A Moveable Feast, Westbeth Gallery, New York, NY
Women of the Academy, The National Academy of Design, New York
178th Annual Exhibition, The National Academy of Design, New York
Working from Nature, Marymount College, Fordham University, Tarrytown, NY
2002 American Views: Memory, Nostalgia, and the Idea of Place, The Parrish Art Museum,
Southampton, NY
The Sea, the Sea…, Glenn Horowitz Bookseller, East Hampton, NY
2001 Sur la Table, Kraushaar Galleries, New York
176th Annual Exhibition, National Academy of Design, New York
Long Island: Morning, Noon & Night, Long Island Museum of American Art, History &
Carriages, Stony Brook, NY
Fairfield Porter, Jane Freilicher, Casimir Rutkowski, John MacWhinnie, Clark Fine Art,
Southampton, NY
Earthline Landscape, The Gallery of South Orange, NJ
2000 Master Art Workshop Exhibition, Avram Gallery, Southampton, NY
Personal Space: The Domesticated Long Island Landscape, Parrish Art Museum,
Southampton, NY
1999-00 In Memory of My Feelings: Frank O’Hara and American Art, traveling to: The Museum of
Contemporary Art, Los Angeles, CA; The Parrish Art Museum, Southampton, NY
Green Woods and Crystal Waters: The American Landscape Tradition, travelling to: The
The Philbrook Museum of Art, Tulsa, Oklahoma; The John and Mabel Museum of Art,
Sarasota, Fl; Davenport Museum of Art, Davenport, IA
1999 Biennial Re-presenting IV, Arnot Museum, Elmira, New York
Why Draw a Landscape, Crown Point Press, San Francisco, CA

Selected Group Exhibitions (continued):

1999 As American As…100 Works From The Collection of The Parrish Art Museum. The Parrish Art Museum, Southampton, NY
Long Island Landscape Painting Today, Sidney Mishkin Gallery, Baruch College, New York
Surroundings: Responses to the American Landscape, Selections from the Permanent Collection
of the Whitney Museum of American Art, San Jose Museum of Art, San Jose, CA
Abstraction/Realism: The Great Debate, Susquehanna Art Museum, Harrisburg, PA
Intimate Interiors: Jane Freilicher and Fairfield Porter, Whitney Museum of American Art at
Champion, Stamford, CT
The 174th Annual Exhibition, National Academy of Design, New York
1998 East Hampton Artists - Seen and Scene, Guild Hall Museum, East Hampton, NY
Centennial Opening, The Parrish Art Museum, Southampton, NY
1996 Flower Paintings, Contemporary Realist Gallery, San Francisco, CA
Women & Landscape, Sleeth Gallery, West Virginia; Wesleyan College, Buckhannon, WV
Woman’s Work: A Century of Achievement in American Art, The Columbus Art Museum,
Columbus, GA
Women in the Visual Arts, Hollins College Art Gallery, Roanoke, VA
By the Sea, Fotouhi Cramer Gallery, East Hampton, NY
1995 Nothing Overlooked: Women Painting Still Life, Contemporary Realist Gallery, San Francisco, CA
Recent Acquisitions, The Metropolitan Museum of Art, New York
1995 Biennial Exhibition, Whitney Museum of American Art, New York
50’s/60’s, Fischbach Gallery, New York
American Art Today: Night Painting, The Art Museum at Florida International University,
Miami, FL
Artists’ Bouquets, Champion International Corporation, Stamford, CT
The Herbert W. Plimpton Collection of Realist Art, Rose Art Museum, Brandeis University,
Waltham, MA
The View From Here, Landscapes from the Collection, The Parrish Art Museum, New York
Flower Paintings, Lizan-Tops Gallery, East Hampton, NY
The Nature of Landscape, The Gallery at Hastings-on-Hudson, New York
1994 Trees, Midtown Payson Galleries, New York
Paintings From the Commerce Bancshares Collection, Lakeview Museum of Arts and Sciences,
Peoria, IL
Flowers!!!, Babcock Galleries, New York
Vered Flower Show, Vered Gallery, East Hampton, NY
Sun & Sea: American Watercolors, Tibor de Nagy Gallery, New York
Long Island Landscape: A New Era, Lizan- Tops Gallery, East Hampton, NY
Autumn Light, Arlene Bujese Gallery, East Hampton, NY
1993 Artworks by Women Artists: Selections from the William & Uytendale Scott Memorial Study
Collection, Bryn Mawr College, Bryn Mawr, PA
Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, TX
168th Annual Exhibition, National Academy of Design, NY
New Approaches to the Still Life, Tower Fine Arts Gallery, SUNY College at Brockport, NY
Still Life 1963-1993, The Gerald Peters Gallery, Sante Fe, NM
Men Working, G.W. Einstein Company, Inc., New York
The Collection: Porters Circle, The Parrish Art Museum, Southampton, NY
Fruits, Flowers, and Vegetables: Contemporary Still Life, Kavesh Gallery, Ketchum, ID
1992 American Panorama, Tibor de Nagy Gallery, NY
167th Annual Exhibition, National Academy of Design, Color as a Subject, The Artists Museum,
New York
Magical Mystical Landscapes, Renee Fotouhi Fine Art, East Hampton, NY

Selected Group Exhibitions (continued):

1991-92 The Landscape in Twentieth-Century American Art, Selections from the Metropolitan Museum
of Art, touring to Philbrook Museum of Art, Tulsa, Oklahoma; Center for the Fine Arts, Miami, Florida; Joslyn Art Museum, Omaha, Nebraska; Tampa Museum of Art, Tampa, Florida; Greenville County Museum of Art, Greenville, South Carolina; Madison Art Center, Madison, Wisconsin; Grand Rapids Art Museum, Grand Rapids, Michigan.
1991-92 American Realism & Figurative Art: 1952-1991, organized by John Arthur and Japan
Association of Art Museums, traveling to: The Myagi Museum Of Art, Sendai,
Sogo Museum of Art, Yokohama, The Tokushima Modern Art Museum, Tokushima,
The Museum of Modern Art, Shiba, Otsu; Kochi Prefectural Museum of Folk Art, Kochi
The Contemporary American Landscape, Philharmonic Center for the Arts, Naples, FL
New Viewpoints: Contemporary American Realists, Consular Residence, 1992 Universal
Exposition, Seville, Spain; developed by The National Museum of Women in the
Arts, Washington, DC
1991 Against the Grain: Images in American Art 1960-1990, Southern Alleghenies Museum
of Art, Loretto, PA
The Artists in the Garden, National Academy of Design, New York
Smith Collects Contemporary, Smith College Museum of Art, Northampton, MA
Urban Icons, Klarfeld Perry Gallery, New York
Beyond the Picturesque: Landscape on Paper, G.W. Einstein Company, Inc., New York
1990 The Painterly Landscape, C. Grimaldis Gallery, Baltimore, MD
Objects Observed: Contemporary Still Life, Gallery Henoch, New York
A Little Night Music- Manhattan in the Dark, One Dag Hammarskjold Plaza, New York
1950’s at the Tibor de Nagy Gallery, Art Gallery, Laguardia Hall, Brooklyn College, New York
Twentieth Century Long Island Landscape Painting: A Cultural Context, The Museums at Stony
Brook, Stony Brook, NY
A Point of View, Heckscher Museum, Long Island, NY
Fantasy in Fabric: The Artist as Couturier, The Chrysler Museum, Norfolk, VA
40th Anniversary Exhibition, Tibor de Nagy Gallery, NY
1989-90 Documenting a Moment: Contemporary Plein Air Landscape, Tatistcheff Gallery, Santa Monica, CA
1989 Exhibition of Works by New Members, The American Academy and Institute of Arts and Letters, NY
Painting Horizons, The Parrish Art Museum, (3 Person Exhibition with Albert York and April Gornik) Southampton, NY
Direct Response: The American Landscape Tradition Today, Memorial Art Gallery, University
of Rochester; curated by Wolf Kahn, Rochester NY
Neo-Romantics, Art Gallery, Williams Center for the Arts, Lafayette College; curated by Gerrit Henry, Lafayette, PA
1988-89 89 for ’89, G.W. Einstein Company, Inc., New York
1988 Still Life 88, Allport Gallery, San Francisco, CA
Intimate Landscapes, Vered Gallery, East Hampton, NY
Land, ACA Contemporary Gallery, New York
Drawings on the East End: 1940-1988, The Parrish Art Museum, Contemporary Nudes,
One Penn Plaza, New York
24th Annual Exhibition of Art on Paper, Weatherspoon Art Gallery at the University of North
Carolina, Greensboro, NC
Drawn From Life: Contemporary Interpretive Landscape, Sewall Art Gallery, Rice University,
Houston, TX
1987 Vision of America, ACA Galleries, New York
39th Annual Academy- Institute Purchase Exhibition, American Academy and Institute of Arts
and Letters, New York

Selected Group Exhibitions (continued):

1987 A Just Temper Between Propensities, The Bayly Art Museum at The University of Virginia,
Charlottesville, NY
Contemporary Still Life, organized by the Art Advisory Service of the Museum of Modern Art,
New York for Vault Gallery, Boston, MA
Fischbach Gallery, New York
Contemporary Still Life, D.F.S. Dorland Worldwide, Inc., New York
162nd Annual Exhibition, National Academy of Design, New York
In the Country, Bronx Museum of the Arts, NY
Pastel Anthology II, Grace Borgenicht Gallery, New York
Animal Life, One Penn Plaza, New York; curated by Gerrit Henry
1986 The Painterly Landscape, C.Grimaldis Gallery, Baltimore, MD
Landscape, Seascape, Cityscape 1960-85, Contemporary Arts Center, New Orleans, LA;
The New York Academy of Art, New York
The Art of the Realist, Kornbluth Gallery, Fairlawn, NJ
Interiors and Exteriors: Contemporary Realist Prints, Yale University Art Gallery, New Haven,
CT
Arrangements in Color and Shape, C. Grimaldis Gallery, Baltimore, MD
Landscapes: Painterly Visions, Center for Contemporary Arts, Great Falls, MT
The Window in Twentieth-Century Art, Neuberger Museum, State University of New York,
Purchase, NY
The Masters, Fine Arts Gallery, Long Island University, Southampton, NY
Nature Morte, Southern Alleghenies Museum of Art, Loretto, PA
Institute Purchase Exhibition, American Academy and Institute of Arts and Letters, NY
50th National Midyear Exhibition, The Butler Institute of American Art, Youngstown, OH
1985-87 American Realism: Twentieth-Century Drawings and Watercolors, organized by the San
Francisco Museum of Modern Art, traveling to: DeCordova and Dana Museum and
Park, Lincoln, MA; Archer M. Huntington Gallery, University of Texas, Austin; Mary
and Leigh Block Gallery, Northwestern University, Evanston, IL; Williams College
Museum of Art, Williamstown, MA; Akron Art Museum of Art, Akron, OH; Madison Art Center, Madison, WI
1985-86 Contemporary American Still Life, One Penn Plaza, New York; curated by Gerrit Henry
The Object Revitalized, The Paine Art Center and Arboretum, Oshkosh, WN and tour
The East Hampton Star 100th Anniversary Portfolio: Works by 52 Contemporary Artists of
the Region, Morgan Gallery, Guild Hall, East Hampton, NY
1985 New York Observed, Frank Bernarducci Gallery, New York
160th Annual Exhibition, National Academy of Design, New York
American Art Today: Still Life, Florida International University, Miami, FL
Candidates for Art Awards, American Academy and Institute of Arts and Letters, New York
Artists choosing Artists, Artists Choice Museum, New York
Waterworks: The Long Island Legacy, The Hechscher Museum, Huntington, NY
Seven Hamptons Artists, Tower Gallery, Southampton, NY
Purchase Exhibit, American Academy and Institute of Arts and Letters, New York
Art on Paper, Weatherspoon Art Gallery, University of North Carolina at Greensboro
Collectors Gallery XIX, Marion Koogler McNay Art Museum, San Antonio, TX
American Realism, William Sawyer Gallery, San Francisco, CA
1984 American Women Artists, Part One: Pioneers, Sidney Janis Gallery, New York
New American Painting: A Tribute to James and Mary Michener, Archer M. Huntington Art
Gallery, University of Texas, Austin, TX
New Realism: Behind the Scenes, College of the Mainland, Texas City, TX

Selected Group Exhibitions (continued):

1984 Artists in the Theater, Hillwood Art Gallery, Long Island University, Greenvale, NY
Paintings and Sculpture by Candidates for Art Awards, Academy and Institute of Arts and
Letters, New York
Major Contemporary Women Artists, Suzanne Gross Gallery, Philadelphia, PA
Collectors Gallery XVII, Marion Koogler McNay Art Museum, San Antonio, TX
Drawings, Drawings, Drawings, Forum Gallery, New York; curated by Ralph Pomeroy
The Spirit of the Coast, Monmouth Museum, Lincroft, NJ
American Seen, Adams-Middleton Gallery, Dallas, TX
Art and Friendship: A Tribute to Fairfield Porter, Guild Hall Museum, East Hampton, NY
Painting Naturally: Fairfield Porter and His Influences, The Parrish Art Museum, Southampton, NY
Recent American Still Life, Robert Schoelkopf Gallery, New York
The First Eight Years, Artists Choice Museum, New York
Biennial Print Exhibition, The Brooklyn Museum, New York
1983 Works of the Faculty and Students of the Department of Fine Arts, University of Pennsylvania,
Philadelphia, PA
Painted Light, Artists Choice Museum, New York and tour
American Still Life 1945-83, Contemporary Arts Museum, Houston, TX and tour
New Landscape, One Penn Plaza, New York
Still Life Today, Goddard-Riverside Community Center, New York
The Permanent Collection: Highlights and Recent Acquisitions, The Grey Art Gallery,
New York University, New York
1982 Jane Freilicher/Merrill Wagoner, Watson/de Nagy Gallery, Houston, TX
Some Landscapes, Andover Gallery, Andover, MA
An Appreciation of Realism, Munson- Williams- Proctor Institute, Utica, NY
Director’s Gallery Glimpse 1982, Fine Arts Museum of Long Island, NY
Painterly Realism, The Rahr-West Museum, Manitowoc, WN
Art and The Garden, Kornbluth Gallery, Fairlawn, NJ
Eight Women/ Still Life, New Britain Museum of Art, CT
1981 The Contemporary American Landscape, Hirschl & Adler Gallery, New York
156th Annual Exhibitions, National Academy of Design, New York
Candidates for Art Awards Exhibition, American Academy and Institute of Arts and Letters,
New York
Sunlight on Leaves: The Impressionist Tradition, Museum of Fine Art, Houston, TX
A Feast for the Eyes: Contemporary Representations of Food, Heckscher Museum, Huntington, NY
Real, Really Real, Super Real, San Antonio Museum of Art, San Antonio, TX and tour
Contemporary American Realism Since 1960, Pennsylvania Academy of Fine Art,
Philadelphia; and tour
Collector’s Gallery XV, Marion Koogler McNay Art Museum, San Antonio, TX
Contemporary American Realists: Works on Paper, University Art Gallery, University of
Pittsburgh, PA
Tracking the Marvelous, Grey Art and Study Center, New York University, New York
1980 Still Life, Goddard-Riverside Community Center, New York
Contemporary Naturalism: Works of the 1970’s, Nassau County Museum of Fine Art, Roslyn
Harbor, NY
Selections from Fischbach Gallery, State University of New York, Cortland, NY
Realism/ Photorealism, Philbrook Arts Center, Tulsa, OK
American Drawings in Black and White, The Brooklyn Museum, New York
Selected Twentieth-Century American Portraits, Harold Reed Gallery, New York

Selected Group Exhibitions (continued):

1979 Painterly Realism in America, A.J. Wood Gallery, Philadelphia, PA
Beginning Event, Sunne Savage Gallery, Boston, MA
The New American Still Life, Westmoreland Museum of Art, Greensburg, PA
Flower Painting, Everson Museum of Art, Syracuse, NY
Still Life, Webb and Parsons Gallery, New Canaan, CT
Poets and Painters, Denver Art Museum, CO and tour
Originals,Graham, Gallery, New York
Recent Acquisitions, Metropolitan Museum of Art, New York
1978 Artists Postcards, Cooper Hewitt Museum, New York
American Realism, College of William and Mary, Williamsburg, VA
Realism, Watson/de Nagy Gallery, Houston, TX
Landscape: Different Points of View, Wave Hill, NY
Drawings, DePauw University Art Center, New Castle, IN
Survey of Realism, Sordoni Art Gallery, Wilkes College, Wilkes-Barre, PA
1977 Wish I Were There, Fendrick Gallery, Washington, D.C.
Contemporary Watercolors and Pastels, Indiana University Art Museum, Bloomington, ID
American Painterly Realists, Art Gallery, University of Missouri at Kansas City, MO
Critics Choice, Lowe Art Gallery, Syracuse University, NY
Collector’s Gallery XI, Marion Koogler McNay Art Museum, San Antonio, TX
Artists Salute Skowhegan, Kennedy Galleries, New York
Contemporary American Masters, Clarke-Benton Gallery, Santa Fe, NM
1976 American Artists 76: A Celebration, Marion Koogler McNay Art Museum, San Antonio, TX
Artists Choice: Figurative Art in New York, Green Mountain Gallery, Bowery Gallery, Prince
Street Gallery and First Street Gallery, New York
America 1976, Department of the Interior at the Corcoran Gallery of Art, Washington, DC and tour
Ten Painters, Westark Community College, Fort Smith, AS
Close to Home, Genesis Gallery, New York
25th Anniversary Exhibition, Tibor de Nagy Gallery, New York
Collector’s Gallery X, Marion Koogler McNay Art Museum, San Antonio, TX
30 Years of American Printmaking, The Brooklyn Museum, New York
1975 Sixteen Realists, Fischbach Gallery, New York
Invitational Award Exhibition, The American Academy and Institute of Arts and Letters,
New York
Women See Men, The Queens Museum, New York
Frozen Time and Frozen Place, University of North Dakota, Grand Forks, ND
Artists of the Hamptons, The Guild Hall, East Hampton, NY
Women Artists Today, Ashawagh Hall, The Springs, NY
Candid Paintings: American Genre 1950-75, DeCordova Museum of Art, Lincoln, MA
1974 Focus: Woman’s Work American Art, Philadelphia Civic Center, Philadelphia, PA
Five Ways of Looking at Landscapes, Tibor de Nagy Gallery, Houston, TX
New Images in American Paintings, Queen’s Museum, New York
1973 The Parrish Art Museum, Southampton, NY
1972 A Sense of Place, The Guild Hall, East Hampton, NY and tour
Annual Exhibition of Contemporary Painting, The Whitney Museum of American Art,
New York
1970 Painterly Realism, The American Federation of Arts, New York
Artists of Suffolk County Part IV: The New Landscape, Heckscher Museum, Huntington, NY
1968 Figurative Painting, Vassar College Art Gallery, Poughkeepsie, NY
Eight Americans, Kunstakademie, Amsterdam, Holland

Selected Group Exhibitions (continued):

1967 Contemporary Still Life, The Museum of Modern Art, New York
The Nude Now, Allan Frumkin Gallery, New York
1966 University of North Carolina, Greensboro
Current Trends in American Art: Pop, Op, Top, Westmoreland Museum of Art, Greenberg, PA
1965 Contemporary American Figure Painting, Wadsworth Atheneum, Hartford, CT
Inform and Interpret, The American Federation of Arts, New York
American Painters, Cincinnati Art Museum, OH
Recent Landscapes by Nine Americans, Festival of two Worlds, Spoleto, Italy
18 Painters/ Invitational Exhibition, The Parrish Art Museum, Southampton, NY
1964 Recent Landscapes by Eight Americans, The Museum of Modern Art, New York
1963 Students of Hans Hofmann, The Museum of Modern Art, New York
University of Nebraska, Lincoln, NB
1961 The One Hundred Fifty-Eighth Annual Exhibition of American Painting and Sculpture,
Pennsylvania Academy of Fine Arts, Philadelphia, PA
1960 Fifth International Hallmark Art Award Exhibition, New York
1959 Recent Drawings, The Museum of Modern Art, New York
1955-56 Stable Annuals, Stable Gallery, New York
1955 Whitney Annuals, Whitney Museum of American Art, New York
1955 Annual Exhibition of Contemporary American Paintings, The Whitney Museum of
American Art, New York
Four Young Americans, Museum of Art, Rhode Island School of Design, Providence, RI

Awards and Films:

2005 Gold Medal for Painting, American Academy of Arts and Letters, New York
2003 Edwin Palmer Memorial Prize for Painting, The National Academy of Design, New York
2001 Something Wonderful May Happen: The New York School Poets and Beyond, documentary film
directed by Lars Movin and Niels Plenge, produced by Thomas Thurah, Denmark
1999 Vice President of Art on the Board of Directors for the American Academy of Arts and Letters,
New York
1997 Artists’ Fellowship, Benjamin West Clinedinst Memorial Medal
1996 12th Annual Academy of the Arts Lifetime Achievement Award, The Guild Hall,
East Hampton, NY
1995 Benjamin Altman Prize for Landscape, National Academy of Design, New York
1992 The Southampton Cultural and Civic Center Award, Southampton, NY
1991 The Eloise Spaeth Award for Distinguished Achievement in Painting, The Guild Hall
Museum, East Hampton, NY
1989 Member, The American Academy and Institute of Arts and Letters, New York
1987 The Saltus Gold Medal, National Academy of Design, New York
1982 Member, National Academy of Design, New York
1976 National Endowment for the Arts Grant
1974 American Association of University Women Fellowship

Selected Public Collections:

The American Embassy, Istanbul, Turkey
The American Federation of the arts, New York
The Brooklyn Museum, New York
Bryn Mawr College, Bryn Mawr, Pennsylvania


Selected Public Collections (continued):

Castellani Art Museum, Niagara University, New York
Colby College, Colby, Maine
The Cleveland Museum of Art, Cleveland, Ohio
Concoran Gallery of Art, Washington, D.C
The Currier Gallery of Art, Manchester, New Hampshire
Board of Governors, Federal Reserve System, Washington, D.C.
Greenville County Museum of Art, Greenville, South Carolina
The Grey Art Gallery, New York University, New York
Guild Hall, East Hampton, New York
Hampton Institute, Hampton, Virginia
Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Housatonic Community College, Connecticut
Kansas City Art Institute, Kansas City, MO
Kemper Museum of Contemporary Art, Kansas City, MO
The Long Island Museum of American Art, History & Carriages
Marion Koogler McNay Art Museum, San Antonio, TX
Memorial Art Gallery, University of Rochester, Rochester, NY
The Metropolitan Museum of Art, New York
The Museum of Modern Art, New York
National Academy Museum, New York
Nelson Atkins, Kansas City, MO
The Parrish Art Museum, Southampton, New York
Rahr - West Museum, Manitowoc, WI
Museum of Art, Rhode Island School of Design, Providence, RI
Rose Art Museum, Brandeis University, Boston, MA
San Francisco Museum of Modern Art, San Francisco, CA
University of Rochester Memorial Art Gallery, Rochester University, NY
Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT
Weatherspoon Art Gallery, The University of North Carolina at Greensboro, NC
Whitney Museum of American Art, New York

Selected Bibliography:

2014 Keane, Tim., “The Other World Within This One: On Jane Freilicher,” Hyperallergic, October
Yerman, Marcia G., “Starting Out: 9 Abstract Painters 1953-1971,” Huffington Post, June
2013 Monica, Lauren P. Della, “Painted Landscapes: Contemporary Views,” Schiffer, Atglen, PA
2011 Bascove. “Bouquets,” The Three Tomatoes, May
Melia, Mike. Now “On View, The View From Jane Freilicher’s Window.” PBS News Hour: Art Beat, http://www.pbs.org/newshour/art/blog/. May
Smith, Roberta. “JANE FREILICHER: Recent Paintings and Prints.” The New York Times, May
Yau, John. “JANE FREILICHER Recent Paintings and Prints.” The Brooklyn Rail, April
2010 Kalil, Susie, Review of “40” at the Texas Gallery, “Culture Map” blog, July
2009 Jane Freilicher, Review, Art in America, June/July.
Jane Freilicher: Changing Scenes, Goings on About Town, The New Yorker, April
National Academy Museum, The New Yorker
2008 Jane Freilicher: Recent Paintings, Goings On About Town, The New Yorker, January
Genocchio, Benjamin. Colors of the Season, The New York Times, April
Landes, Jennifer. Jane Freilicher, Still At One Remove, The East Hampton Star, January
Parks, Steve. Guild Hall’s ‘Inspired by the Light’ Landscapes, Newsday, June
Schwabsky, Barry. Spots, Smudges, and Glitter, The Nation, April

Selected Bibliography (continued):

2007 Cotter, Holland, “NeoIntegrity: Go Ahead, Expect Surprises,” The New York Times, August
2006 Nichols, Matthew Guy, “Jane Freilicher at Tibor de Nagy,” Art in America, p. 210, April
Smith, Roberta, “Art in Review: Jane Freilicher,” The New York Times, April
Samet, Jennifer Sachs, “A Chat with the Painter, Portraits of the Artist as a Young Woman,” The New York Sun, March
2005 “It’s a Pleasure to Open This Mail,” Book Review, The Southampton Press, May
Poetry Review, The Poetry Society, Vol. 95, No. 1, Spring
Panero, James, Gallery chronicle, The New Criterion, February
Johnson, Ken, “Seeing With Feeling The Ordinary and Wild,” The New York Times, February
Kramer, Hilton, In These Icy Days, Freilicher’s Flowers Can Melt Snow, The New York Observer, January
2004 Esten, John, Hamptons Gardens: A 350 Year Legacy, Rizzoli
Kimmelman, Michael. “Review: Jane Freilicher.” The New York Times, April
Kramer, Hilton, “Painter Freilicher Has Skyscapers Bow to Dancing Flowers,” The New York Observer,
April
Harrison, Helen A., “Exhibits Showcase Four Women Artists,” The NewYork Times, March
Douglas, Julia. “Beyond Sweet Surfaces and Easy Beauty,” The Southampton Press, December
2003 Grant, Daniel, “Window to the Artist,” American Artist, pp. 35-37, June
Disch, Thomas M., “Arts & Letters,” The New York Sun, July
Kramer, Hilton, “Remember Painting? You Can See Some Up on 89th Street,” The New York
Observer, May
2002 Long, Robert, “Freilicher on Painterly Realism,” The East Hampton Star, June
Smith, Roberta, “When a Painter Plays Curator, a Distinctive Vision,” The New York Times, June
Kramer, Hilton, “Freilicher Shows Self in The Artist’s Eye,” The New York Observer, August
Schjeldahl, Peter, “Chez Jane,” The New Yorker, September
Kunitz, Daniel, “Bold and Heroic: Jane Freilicher Selects Paintings at the NAD,” The New York
Sun, July
Long, Robert, “Moving Photos, Bland Paintings,” The East Hampton Star, June
Teachout, Terry, “In Jane Freilicher’s Landscapes and Kate McGarry’s Jazz Improvisations,
There’s Room to Roam,” The Washington Post, May
Mahoney, Robert, “Jane Freilicher,” Time Out New York, April
“Jane Freilicher,” The Week, April
Long, Robert, “Paintings Not What They Seem,” The East Hampton Star, April
Fels, Sophie, “Jane Freilicher,” The New Yorker, April
Ross, Alex, catalogue essay for Tibor de Nagy Gallery solo exhibition
2001 Long, Robert, “Works of Containment And Color,” The East Hampton Star, July
Prose, Francine, “Painting Nature,” Victoria Magazine, May
“Figuratively Speaking,” NY Arts, February
Wilkin, Karen, “Making the case for figuration,” The New Criterion, February
Kramer, Hilton, “Figurative Rebels Joined in NY School Reunion,” The NY Observer, January
“Reconfiguring the New York School,” Goings On About Town, The New Yorker, January
2000 Gray, Timothy, “New Windows on New York: The Urban Pastoral Vision of James Schuyler and
Jane Freilicher,” Genre: Forms of Discourse and Culture, vol. 33, no. 2, Summer
Sheets, Hilarie M., “Jane Freilicher,” ARTnews, Summer
Colacello, Bob, “Studios by the Sea,” Vanity Fair, August
Long, Robert, “Two Strong, But Different Shows,” The East Hampton Star, May
Arthur, John, “Green Woods and Crystal Waters: The American Landscape Traditions,” exhibition
catalogue
Esplund, Lance, “Jane Freilicher at Tibor de Nagy,” Art in America, December

Selected Bibliography (continued):

2000 Goodrich, John, “Reconfiguring the New York Art School,” Review NY.com, November
Lehman, David, “O’Hara’s Artful Life,” Art in America, February
Simic, Charles, catalogue essay for Tibor de Nagy Gallery solo exhibition
1999 Brown, Kathan, “Why Draw a Landscape,” Crown Point Press, San Francisco, CA
Corbett, William, “Jane Freilicher and Fairfield Porter,” Modern Painters, Fall
Braff, Phyllis, “Diverse Views of a Changing Landscape,” The New York Times, May
Zimmer, William, “Paintings That Offer Viewers A Look Out the Window,” The New York Times, April
Kramer, Hilton, “Whitney Banishes Porter to its Suburban Outpost,” The New York Observer, March
1998 Pardee, Hearne, ARTnews, September
Thomas, Michael M., “Landscape Artists,” Hamptons Country, August
Mathews, Harry, catalogue essay for Tibor de Nagy Gallery solo exhibition
Mathews, Harry, Modern Painters, Summer
Johnson, Ken, “Art in Review,” The New York Times, May
Smith, Dinitia, “The Views From Her Windows Are Enough,” The New York Times, Apri
Sansegundo, Sheridan, “Jane Freilicher: Cues From Nature,” The East Hampton Star, April
Lehman, David, The Last Avant-garde: The Making of the New York School of Poets,
Doubleday, New York
Stack, Sarah, “Art Review: As he liked it,” Taconic Newspaper, January
1997 Kimmelman, Michael, “Art in Review,” The New York Times, September
Kramer, Hilton, “Tibor de Nagy Gallery Shows Off A Lucky Man’s Collection,”
The New York Observer, August 4
Lehman, David, “The Heretic” (Fairfield Porter), The American Heritage, September
LeSueur, Joe, “More Old Friends – Best Show in Years,” The East Hampton Star, June
1996 Wilkin, Karen, “At the Galleries,” Partisan Review, Fall
Henry, Gerrit, “Painterly Realism and the Modern Landscape,” Art in America, September
Long, Robert, “Landscapes & Master Prints,” The Southampton Press, September
Berman, Avis, “Art: Contemporary Country Landscapes,” Architectural Digest, June
1995 Ashbery, John, catalogue essay for Fischbach Gallery solo exhibition
1995 Biennial Exhibition Catalogue, The Whitney Museum of American Art, New York.
Between the Second World War and the Bicentennial, The Monacelli Press
Helter, Nancy G. and Jules, North American Women Artists of the Twentieth Century, Garland
Publishing, New York
Stern, Robert A.M., Mellins, Thomas & Fishman, David, New York 1960: Architecture and
Urbanism
Ash, John, “Jane Freilicher,” Artforum, Summer
“Jane Freilicher/Fischbach,” The New York Review of Art, Summer
Johnson, Ken, “Big Top Whitney,” Art in America, June
Solomon, Deborah, “Urban Arrangement,” Mirabella, May
Bland, Celia, “Back to Basics,” Museums New York, April
Schjeldahl, Peter, “One Man Show: Klaus Kertess’s Biennial Moyen Sensual,” The Village
Voice, April
Plagens, Peter, “The Impossible Exhibition,” Newsweek, April
Kramer, Hilton, “It’s Not A Pretty Story: Whitney’s Cakes ‘n Christ,” The New York Observer, April
Napack, Jonathan, “Some Biennial Buzz: Klauss Kertess as Rip Van Winkle?,” The New York
Observer, April
Stevens, Mark, “A Polite Biennial,” New York Magazine, April
Cotter, Holland, “Jane Freilicher,” The New York Times, March
Kimmelman, Michael, “A Quirky Whitney Biennial,” The New York Times, March

Selected Bibliography (continued):

1995 Braff, Phyllis, “From Edge of Social Conscience to Jazz,” The New York Times, September
Solomon, Deborah, “All Persuasions, No Whiners,” The Wall Street Journal, March
Tallman, Jerry, “Carnival on Madison Avenue,” New York Post, March
1994 Lucie-Smith, Edward, American Realism (Harry N. Abrams: New York).
Marquardt-Cherry, Janet, Catalogue Essay for “Nothing Overlooked: Women Painting Still
Life,” published by Contemporary Realist Gallery, San Francisco, CA
Braff, Phyllis, Exhibition review of “Long Island Landscape: A New Era,”
at Lizan-Tops gallery, The New York Times, September
Kertess, Klaus, “Private Pleasures,” Elle Decor, August
Gibson, Eric, “East End Landscape Shows,” The East Hampton Star, June
1993 Bullard, CeCe, “Art Notes,” Richmond Times-Dispatch, July
Bullard, CeCe, “Abstracts a Pleasure to Behold,” Richmond Times-Dispatch, July
Rosenbaum, Lee, “If It’s Not Popular, That’s Too Bad,” The New York Times, March
1992 Rosenblum, Robert, “The Withering Greenbelt: Aspects of Landscape in Twentieth-Century
Paintings,” Denatured Visions: Landscape and Culture in the Twentieth Century,
(Harry N. Abrams: New York)
1992 Corn, Alfred, “Jane Freilicher,” ARTnews, September
Bourdon, David, “Critic’s Diary,” Art in America, September
1991 Westfall, Stephan, “Vanishing Acts,” Art in America, June
Pozzi, Lucio, “Che ve ne Sembe Dell’America,” Il Giornale Dell’Arte, Torino, Italy, May
1990 Pisano, Ronald, Long Island Landscape Painting Volume II: Twentieth Century, (Little, Brown & Co.)
Pardee, Hearne,” Jane Freilicher,” ARTnews, September
Brenson, Michael, “Jane Freilicher,” The New York Times, March
“Goings on About Town,” The New Yorker, March
Daxland, John, “Combing City Art with Country Art,” The Daily News, March
Slivka, Rose S., “From the Studio,” The East Hampton Star, March
1989 Arthur, John, The Spirit of Place, (Boston: Little, Brown & Co.)
Ashbery, John, Reported Sightings, (New York: Alfred Knopf)
“Jane Freilicher,” Current Biography, Volume 50, Number 11, November
Kalina, Richard, “Painting Horizon,” Arts, November
Cummings, Mary, “Filtering the Landscape Through Different Lenses,” The Southampton Press, August
Long, Robert, “Parrish Exhibit Explores Variety of Perspectives,” The Southampton Press, August
Braff, Phyllis, “Landscape Themes Clarified,” The New York Times, August
Slivka, Rose S., “From The Studio,” The East Hampton Star, August
Wallach, Amei, “Landscapes on the Horizon,” Newsday, August
Smith, Roberta, “Taking a Look or Two Back in the Hamptons,” The New York Times, June
Brenson, Michael, “164th Annual Exhibition at the National Academy of Design,” The New York
Times, March
Brenson, Michael, “Jane Freilicher,” The New York Times, March
1988 Finch, Christopher, Twentieth-Century Watercolors, (New York: Abbeville Press)
McCatchy, J.D., ed., Poets on Painters, (Berkeley: Univ. of California Press)
Grimes, Nancy, “ACA: Land,” ARTnews, November
Braff, Phyllis, “Drawing Lines: East End Anthology,” The New York Times, November
Long, Robert, “East End Drawing Exhibit at Parrish,” The Southampton Press, October
Silvka, Rose S., “Conclusions Drawn,” East Hampton Star, September
Delatiner, Barbara, “The Spotlight Shines on Drawings,” The New York Times, September
Henry, Gerrit, “Jane Freilicher at Fischbach,” Art in America, September

Selected Bibliography (continued):

1988 Kramer, Hilton, “2 Artists Take Risks in the Realm of ‘Beautiful,” The New York Observer, April
Wallach, Amei, “Rediscovering the Spirit of the Breakway ‘50’s,” Newsday, April
Russell, John, “Urban and Rural Vistas From Jane Freilicher,” The New York Times, April
1987 Crane, Diana, The Transformation of the Avante- Garde: The New York Art World, 1940-85,
Chicago: University of Chicago Press
Wender, Abigail, “Water Mill, New York,” Diversion, August
Koch, Kenneth, “In Broad Daylight: The Paintings of Jane Freilicher,” Columbia, February
1986 Doty, Robert, ed., Jane Freilicher: Paintings, essays by John Yau, John Ashbery and Linda L.
Cathcart, (New York: Taplinger Press)
Johnson, Patricia C., “A View From the Inside,” Houston Chronicle, December
Chadwick, Susan, “Freilicher’s View: Near and Far,” The Houston Post, November
Crossley, Mimi, “Welcome to the Real World,” Houston City, November
Brenson, Michael, “Jane Freilicher Casts Her Landscapes In A Special Light,” The New York
Times, September
Wallch, Amei, “Voluptuous,” Newsday, September
Berman, Ann, “New York For Sale,” Town & County, September
Larson, Kay, “Museums,” New York Magazine, September
Harrison, Helen A., “Freilicher’s Inner Visions,” The New York Times, September
Henry, Williams, “Jane Freilicher: Little by Little, A Life of Painting,” The Southampton Press,
September
Sill, Gertrude Grace, “American Art: American Women,” Westport News, February
Preston, Malcolm, “A Landscape Revival,” Boston Sunday Globe, January
1985 Martin, Alvin, foreword by Henry T. Hopkins, introduction by Glenn C. Janss, American
Realism: Twentieth-Century Drawings and Watercolors From the Glenn C. Janss Collection, (New York: San Francisco Museum of Modern Art in association with Harry N. Abrams, Inc)
Russo, Alexander, Profiles on Women Artists, (Frederick, MD: University Publications of America)
Ashbery, John, “On Jane Freilicher,” edited by Daniel Halpern, Writers on Artists, (San
Francisco: North Point Press)
Lipton, Karin, “A Show Inspired by a 100th Birthday,” Newsday, December
“Visionary Landscape,” The Journal of the Artists’ Choice Museum, vol.5, Cover; Fall
Dalphonse, Sherri, “Editor with a Brush,” Hamptons Newspaper Magazine, August
“Anniversary Portfolio: Artists View the South Folk,” East Hampton Star, May
Ashbery, John, “Rediscovering the Landscape,” Newsweek, April
Brenson, Michael, “Jane Freilicher,” The New York Times, March
Henry, Gerrit, “Jane Freilicher and the Real Thing,” ARTnews
1984 Brenson, Michael, “The First Eight Years at the Artists’ Choice Museum,” The New York
Times, December
Henry Gerrit, “Art and Friendship at the Artists’ Choice Museum,” ARTnews, November
Raynor, Vivien, ”Painting: By 15 Friends of Fairfield Porter,” The New York Times, August
Larson, Kay, “The Real Things,” New York Magazine, July
1983 Cathcart, Linda L., American Still Life: 1945-1983, (Houston: Contemporary Arts Museum in
association with Harper and Row)
Strand, Mark, ed., foreword by Robert Hughes, Art of the Real: Nine American Figurative
Painters, (New York: Clarkson N. Potter, Inc.).
Hoelterhoff, Manuela, “Serious Painting in a Vanishing Landscape,” The Wall Street Journal,
September
Kalil, Susie, “Painting: American Still Life 1945-83,” The Houston Post, September
Campbell, Lawrence, Art in America, Summer
Bass, Ruth, ARTnews, May

Selected Bibliography (continued):

1983 Glueck, Grace, “Jane Freilicher,” The New York Times, March
Mathes, Margaret, “Jane Freilicher,” American Artist, March
1982 Rubenstein, Charlotte Streifer, American Women Artists, (New York: Avon Books)
Oresman, Janice C., “Still Life Today,” Arts, December
Stevens, Mark, “Revival of Realism,” Newsweek, June
1981 Henry, Gerrit, “New York Reviews,” ARTnews, March
Forgey, Venjamin, “A Comeback of Sorts for Self-Portraits,” The Washington Star, February
Interview with Freilicher, Directions in Contemporary Realism, catalogue for exhibition “Real,
Really Real, Super Real,” San Antonio Art Museum.
Interview with Freilicher in, Fairfield Porter: Catalogue Raisonne of his Prints, Holland House
1980 Eckhoff, Sally, “Vegetable Matters,” Village Voice, December
Russell, John, “Jane Freilicher,” The New York Times, November
Shirey, David L., “Art,” The New York Times, September
Arthur, John, Realist Drawings and Watercolors: Contemporary Works on Paper (New York:
New York Graphics Society)
1979 Berlind, Robert, “Jane Freilicher,” Art in America, May/ June
Ashbery, John, “Ut Pictura Poesis,” New York Magazine, January
Raynor, Vivien, “Jane Freilicher,” The New York Times, January
Tallmer, Jerry, “Colors Almost Too Beautiful,” The New York Post, January
Munroe, Eleanor, Originals- American Women Artists, (New York: Simon and Schuster)
1978 Stevens, Mark, “Realisms New Look,” Newsweek, March
“Landscape Views”, Symposium Report edited by Lawrence Alloway, Department of Fine Arts,
State College, Montclair, NJ
1977 Shorr, Harriet, “Jane Freilicher,” Arts, March
1976 Larson, Kay, “Painting the Public Lands,” ARTnews, January
1975 Ashbery, John, “Jane Freilicher at Fischbach,” Art in America, May/June
David, Douglas, “The Painters’ Painters,” Newsweek, May 13
Frackman, Noel, “Jane Freilicher,” Arts, April
Bourdon, David, Village Voice, February
Alloway, Lawrence, “Art,” The Nation, February
Kramer, Hilton, “Jane Freilicher is Back,” The New York Times, February
1972 Alloway, Lawrence, The Nation, February
1971 Henry, Gerrit, “New York Letter,” Art International, May
Schjeldahl, Peter, “Urban Pastorals: The Manhattan Scene,” ARTnews, February
1967 “Jackson Pollock: A Montclair Artist’s Symposium, Part 2,” ARTnews, May
1966 Schuyler, James, “The Paintings of Jane Freilicher,” Art & Literature, No.10.
1964 “Jane Freilicher and Alex Katz: A Dialogue,” Art and Literature, v.1, March
1957 O’Hara, Frank, “Some New American Painters,” Folder III, Tiber Press, New York
1956 Porter, Fairfield, “Jane Freilicher Paints a Picture,” ARTnews, September
1954 O’Hara, Frank, “Reviews and Previews,” ART news, April
1953 Porter, Fairfield, “Reviews and Previews,” ARTnews, February
1952 Porter, Fairfield, “Reviews and Previews,” ARTnews, May

Commissions, Illustrations & Sets:

1999 Three Woodcuts, Description of a Masque, by John Ashbery, Limited Editions Club, New York
1996 Book cover, The Best of American Poetry 1996, Simon & Schuster, Inc., New York
1984 Commission, lithograph for Self-Portrait in a Convex Mirror by John Ashbery, Arion Press,
San Francisco
1981 Sets for The Heroes, by John Ashbery, Eye & Ear Theater, New York
1980 Book cover, Homage to Frank O’ Hara, Creative Arts Book Company, Berkeley, California

Commissions, Illustrations & Sets (continued):

1979 Set for Red Robbins, by Kenneth Koch
1978 Book cover, What’s for Dinner, by James Schuyler, Black Sparrow Press, San Francisco
1976 Commission for the United States Department of the Interior
1975 Commission for The American Jewish Congress, lithograph Book Cover, The Art of Love,
by Kenneth Koch, Random House, New York
1974 Illustrations for Elizabethan and Nova Scotian Music, by Charles North, Adventures in Poetry,
New York
1967 Published drawings, In Memory of My Feelings, by Frank O’Hara, The Museum of Modern Art
1965 Published Portfolio of drawings, Paris Review
1953 Sets for Lady’s Choice, by Barbara Guest, Artists’ Theater Productions, New York
Illustrations for Turandot and Other Poems, by John Ashbery, Tibor de Nagy Editions

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